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Indian Fighter Jet Crash at Dubai Show Kills One

The pilot of an Indian combat plane died after the aircraft crashed Friday during a demonstration flight for spectators at the Dubai Air Show, the Indian Air Force said.

The Indian HAL Tejas, a combat aircraft used in the Indian Air Force, crashed around 2:10 p.m. local time after the pilot had flown across the site of the biennial air show in Dubai several times.

The plane appeared to lose control and dive directly toward the ground just prior to crashing inside the grounds of the airfield.

The Indian Air Force confirmed the crash in a statement and said “the pilot sustained fatal injuries in the accident.”

“IAF deeply regrets the loss of life and stands firmly with the bereaved family in this time of grief,” it said, adding that “a court of inquiry is being constituted, to ascertain the cause of the accident.”

Black smoke rose over the Al Maktoum International Airport at Dubai World Central as a crowd of spectators watched, and sirens sounded after the crash.

Dubai police and airport officials offered no immediate comment.

The city-state’s second airport was hosting the biennial Dubai Air Show, which has seen major aircraft orders by both the long-haul carrier Emirates and its lower-cost sister airline FlyDubai.

Tejas is India’s indigenous fighter aircraft, built by state-run Hindustan Aeronautics Limited. The lightweight, single-engine jet is expected to bolster India’s depleted fighter fleet as China expands its military presence in South Asia, including by strengthening defense ties with India’s rival Pakistan.

In September, India’s Defense Ministry signed a contract with Hindustan Aeronautics Limited, or HAL, to procure 97 Tejas jets for the air force. Deliveries are expected to begin in 2027.

The Indian government also signed a deal with HAL in 2021 for 83 Tejas aircraft. Deliveries, expected last year, have been delayed largely because of shortages of engines that must be imported from the United States.

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Crypto Market on Edge as Bitcoin Traders Predict $80K Plunge

 

(Bloomberg) — Bitcoin (BTC-USD) is in free fall — and traders are positioning for more pain.

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The world’s largest cryptocurrency plunged below $90,000 on Tuesday morning during Asia trading, deepening a selloff that’s erased all of its gains for the year. In the options market, traders are making increasingly bearish wagers, on the conviction that the slide is far from over as deep-pocketed buyers beat a retreat.

The shift in sentiment has been swift and sharp. Demand for downside protection at the $85,000 and $80,000 levels has surged. Protective options expiring later this month are seeing especially heavy activity, according to data from Coinbase-owned Deribit.

After riding Bitcoin to the highs just weeks ago, traders have snapped up more than $740 million worth of contracts betting on continued declines expiring in late November — far outpacing interest in bullish positions.

“The absence of conviction-based spot demand has become increasingly apparent as buyers who accumulated positions over the last six months now find themselves significantly underwater,” said Chris Newhouse, director of research at Ergonia, a firm specializing in decentralized finance.

 

The pain has been concentrated in companies known as digital-asset treasuries — firms that stockpiled large amounts of cryptocurrencies earlier this year in an effort to become crypto-hoarding bets in the stock market. While Michael Saylor’s Strategy Inc. just bought another $835 million worth of Bitcoin, some of his corporate peers are facing growing pressure to sell assets to protect their balance sheets.

That selling has created a psychological overhang: A market crowded with investors who are too deep in the red to buy more, but not yet ready to cut their losses.

A sentiment index compiled by data-analytics platform CoinMarketCap — tracking price momentum, volatility, derivatives, and more — indicates crypto participants are mired in a state of “extreme fear.”

Larger economic forces are weighing on sentiment, too. Traders are eyeing Wednesday’s earnings from Nvidia Corp. — a bellwether for tech and speculative risk — as well as shifting expectations for a possible interest-rate cut from the Federal Reserve in December. The S&P 500 fell more than 1%, hitting sentiment for risk assets of all stripes.

“I think the Fed and AI bubble talk are two major headwinds for crypto and risk assets heading into the end of the year,” said Adam McCarthy, a research analyst at Kaiko. “The AI risk is likely compounding and affecting risk sentiment in crypto, adding that to the chatter from FOMC officials, you’re looking at a sustained downtrend for Bitcoin.”

Ethereum’s token, Ether, is proving especially vulnerable. The world’s second-largest cryptocurrency slumped to $2,946 on Tuesday, bringing its decline to more than 20% since early October.

“Ether is very vulnerable to this theme as the biggest digital asset treasury firms are currently underwater on their positions,” said Greg Magadini, director of derivatives at Amberdata.

The broader market has been reeling since a sharp liquidation wave in early October erased about $19 billion in digital assets. Open interest in crypto futures contracts has dropped, particularly in smaller tokens like Solana, where positioning has fallen by more than half, according to Coinglass data.

“That riskoff tone spills into crypto markets, where sentiment remains fragile — the latest drawdown reflects broader macro jitters rather than structural flaws,” said Thomas Perfumo, global economist at crypto exchange Kraken.

(Updates prices, data)

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Guy Fieri Flavortown Sauces Ranking: Full Guide to Every Flavor

“Flavortown” is a word coined by Chef Guy Fieri. It describes a culinary concept, a state of mind. And like a lot of great creative culinary ideas, they eventually get massively monetized and sold on the grocery store shelves of edible pop culture and intellectual properties.

Flavortown has taken its place there with a variety of commercial sauces to accompany barbeques, finger foods, and entrees. I am also a believer that just because the bottle says “barbecue,” it doesn’t mean it’s limited to the grill. Any of these sauces could be added to a salad or a sandwich. They could also be used as a dipping sauce for finger foods, or mixed into other things such as ketchup or ranch to make your own creations. The great thing about food is that you’re only limited by your imagination, and Fieri has given you some tools to help inspire you.

In this article, we will rank each one from worst to best. They were sent to me by the company, and I’m here to tell you which of Fieri’s sauces I think should get thrown into your shopping cart and which ones should stay on the shelf.

14. Bacon Ranch Sauce

Usually, bacon is one of those decadent proteins almost everyone craves. It’s salty, it’s smoky, and it gets some people up early for breakfast if it’s sizzling in the kitchen. Flavortown’s Bacon Ranch is not getting anyone to rise and shine unless they are craving an uncanny valley version of both bacon and ranch. I am a big fan of both ingredients, and combining the two should be a match made in heaven.

Fieri’s recipe isn’t low-cal, but it definitely tasted like it was. It’s got a hint of sweetness coupled with a dose of bacon flavoring and ranch, which feels more like a clone than a condiment. This wasn’t good, and I can’t recommend putting this on anything. That might seem harsh, but with Chef Fieri’s name on the label, you have to imagine that he tasted everything before it was produced. How he approved this rudimentary, but simple recipe is a mystery.

This sauce goes to the bottom of the list for laziness; put this on the table for guests who don’t mind a synthetic version of two classic flavors.

13. Top Secret Sauce

Guy Fieri must put a lot of effort into his signature brand of Flavortown sauces. He’s got clout in the food industry, especially when it comes to fast casual dining. The chef is famous for visiting out-of-the-way, independently owned eateries that invent menu items and dipping sauces. So you would expect that his award-winning Secret Sauce would be something special. Sadly — and it pains me to say this — his secret sauce isn’t a secret because you can figure out what’s in it on the first bite.

Absolutely overpowered by chili powder, this condiment has no personality, unlike its celebrity creator. This might be a great drizzle over a southwestern chicken salad or a jalapeño burger with roasted mild green chilies. Anything that needs a zing of chili powder to balance out something with a lack of layers. I love that it’s creamy and might subdue some heat on a spicy dish, but overall, the secret’s out; this is nothing special.

12. Honey Mustard Sauce

There’s a famous saying by Gertrude Stein that goes, “There’s no there there.” That’s the same feeling I get when I taste this sauce. I love a good honey mustard sauce, especially on finger foods. The combo of sweet and savory, combined with a light protein, is a classic marriage that feels more indulgent than practical. So it was a disappointment tasting Favortown’s recipe, which you would think would be bursting with intense flavors. But in the end, it’s a bit bland with only a hint of what the concept embodies.

On the top end is the honey and vinegar. The yellow mustard comes in later but lacks that little bit of spiciness associated with the condiment; therefore, the sweetness is pronounced without the distinctive punch. I imagine this with onion rings or potato wedges. This sauce is perfect for the person who doesn’t want their food overpowered by sweet mustard, but then again, it’s so underwhelming you might as well just leave it off. As a lover of honey mustard, I’m sad to report this isn’t a great version for dipping into.

11. Smokin’ Hickory BBQ Sauce

The best word I can use to describe this offering is “basic.” If you’re fine with a generic flavored sauce that’s described as Hickory BBQ, then you’ll be glad you picked this one up. But if you’re like me and not satisfied with minimum effort, this product is a pass.

I wouldn’t even recommend using this on a cookout. Some pitmasters use a little sauce on their meats during the last few minutes of grilling so the sugar doesn’t burn and adds a layer of flavor to the food. Flavortown’s Hickory BBQ will definitely give a grilled protein an extra pop, but it’s not going to be a balanced one, especially if you want an essence of hickory infused into your meal.

While this isn’t the worst of the sauces, it gets a low mark, not because it tastes bad, but I didn’t feel the effort was there. It’s just another celebrity foodstuff that you think would give a little extra since it’s from a world-famous chef, but it ends up being just an ordinary product that feels created in a test kitchen rather than one run by a chef.

10. Bourbon Brown Sugar BBQ Sauce

Using the word bourbon in this sauce might be a mistake since that flavor barely exists; nothing says barrel-aged in this sauce. Perhaps there’s a hint of it on the back end, but nothing nuanced. That being said, this is a tasty and sticky-sweet sauce that would pair well with a bacon cheeseburger or plain chicken wing. Due to its lack of complexity, it does nothing to enhance its protein so it’s best to think of it as a sweet additive to whatever dish you’re eating. The brown sugar and molasses are front and center and will overpower anything savory. Think of it like chocolate sauce on vanilla ice cream. As long as you use it sparingly, it could add a sticky and candied touch to an earthy entree.

It doesn’t have enough flavor contrast to use in dishes like pulled pork or shrimp. But a nice plate of salty french fries might make a good pairing. Although I didn’t think this was the worst in the Flavortown lineup, it does get credit for trying to be more than just an ordinary table condiment.

9. Garlicky Parm Wing Sauce

I recently discovered Hidden Valley Ranch’s Garlic Ranch, and it changed my world. So I went into tasting Flavortown Garlicky Parm sauce hoping to have the same epiphany. After all, this is Chef Guy Fieri, not a cook from a test kitchen, and it was a miss for me. Whereas Hidden Valley has the advantage of the herbs that go into the ranch to complement the added garlic, it doesn’t exactly work the same with Parmesan, at least not in Fieri’s line.

But that’s not to say it isn’t tasty. This might be one of his best white sauces in the Flavortown lineup. The garlic comes through, but as far as balancing it with the sharpness of Parmesan, it gets low marks; the punctuation of cheese just isn’t there. A little fine-tuning and this could go to the top of the list. As it is now, it might be good on a food item that needs a little more garlic, which, for me, is a meatball sandwich or a garden salad.

8. Kickin’ Chipotle Sauce

There might be nothing that gives a good Mexican dish its distinct flavor more than chipotle. It’s basically a jalapeño pepper roasted to a certain degree to change its flavor profile. It’s that distinct flavor that is so prevalent in Flavortown’s Chipotle Sauce. In fact, using this on anything will transform an ordinary dish to south-of-the-border.

I liked this one. As a fan of Mexican flavors and especially chili peppers, this hit the spot. As stated before, the Chipotle flavor is strong. It’s smoky without being too pungent but invigorates the palate, bringing out the flavors of the other ingredients that otherwise might be flavorless, such as lettuce.

That means this sauce is perfect for salads or burgers. It might be a great partner with ranch, which will even out the punctuation of the pepper and vinegar, providing a smooth mouth experience, allowing other flavors the spotlight on your tongue as you chew. Flavortown’s Chipotle sauce is also great for dipping. A chicken wing, or even a celery stick are going to feel all dressed up and slightly spiced with this as a blanket.

7. Nashville Hot Wing Sauce

Chef Fieri got this one right. It’s the Flavortown Nashville Hot sauce, which adds a little spiciness to any dish you’re serving up. The heat eases its way in, unlike some others that feel like you’ve just licked the top of a battery. This sauce epitomizes what I think Fieri wanted to do with his lineup, and that’s to have chef-quality condiments while making it fun and accessible to everyone.

It’s flavor-heavy with Cayenne pepper, and even though that might sound hot, it’s not, despite the name. That being said, I’m a high heat kinda guy, and spice might affect others differently. It’s the jalapeño that brings on the heat, which I thought was still pretty mild. The Cayenne serves as a flavor enhancer for whatever else is in the dish, especially vegetables.This might be perfect for salads or tofu based meals since tofu can be pretty boring. I found that this was great as a dipping sauce for plain, white meat chicken nuggets. Use it for an added kick to any meal lacking depth.

6. Hot Honey BBQ Sauce

With Guy Fieri’s Flavortown line, you’re going to get a lot of honey-based sauces, at least with the brown ones. So it makes sense that the chef would combine heat to sweetness to come up with an interesting crossover. And to some degree, this one works. The first thing I noticed, obviously, was the honey. It doesn’t have that distinctive honey taste, but it’s sweet enough to overtake the initial experience before the heat comes in. It’s not an aggressive spiciness, and the sugar isn’t too much to “candy” any entree, but it might pair well with charred ribs as a condiment.

I didn’t try it on anything barbecued, so that might make a difference, but on its own, it’s a balanced blend of sweet and smoky. That being said, it’s also nothing special. Guy Fieri is known for bringing excitement to meals and appreciating flavorful entrees that build upon traditional foods. That excitement is missing from this sauce, reducing it to an average offering that only slightly represents his culinary personality. Granted, it’s labeled “hot honey,” and maybe that’s as literal as it gets, but dare I say this one might be a cash-grab, which isn’t wrong, but it gets even better.

5. Money Honey BBQ Sauce

Unlike its brother, Flavortown’s Bourbon Brown Sugar sauce, this Honey BBQ actually sticks the landing. Flavorful and sweet, there’s nothing in here you’re expecting but didn’t get. I am a fan of sweet entrees with savory proteins. I’m the person who dips his breakfast sausage into his syrup. So Flavortown’s Honey BBQ is right up my alley.

They also use a little brown sugar in the recipe, which gives it a smidgen of molasses flavor, and it’s just enough to offset the earthiness of the honey. This would be a great sauce for making pulled pork or an additive to baked beans. It’s got a richness to it that makes it the main character in any dish, and it’s not too smoky as to overpower the flavor focus.

4. Sizzlin’ Asian Wing Sauce

Sometimes condiments can be bromide, which sounds bad, but it’s not. Ketchup goes with fries, ranch goes with chicken strips, and Flavortown’s Sizzlin’ Asian sauce goes with any meal in which you want to give a sesame twist. This is actually one of my favorite sauces from Guy Fieri’s Flavortown line. It’s pretty cliche, but I enjoyed what it was going for, and it hits the bullseye when it comes to balance.

But keep in mind, at least for me, it has limited employment. With its heavy nutty flavor coming from sesame oil and the sweetness of the soy sauce, it may not work for cross-cultural dishes. For instance, on tacos or pizza. However, putting this on veggies or ramen might infuse some Eastern flair into them. Even a plain burger could be elevated with a squirt, especially with a slice of pineapple in the middle.

While it may have limited usage, and you might not use the entire bottle before its expiration date, Flavortown’s Sizzlin’ Asian sauce is a deliciously sweet additive that’s more pop culture than actual culture.

3. Carolina Style BBQ Sauce

Fieri loves his BBQ sauces, and it seems he wants to feature each regional recipe in his Flavortown line. Next up, and perhaps his best, is the Carolina BBQ sauce. I wasn’t familiar with this recipe so I was pleasantly surprised by how bold and versatile this sauce is. The second ingredient is yellow mustard in this sauce, and obviously that comes through very strongly, but amazingly, it’s balanced with the distilled vinegar. Add a little garlic, honey and molasses to that, and you’ve got a great sauce that seems perfect for pork.

I used it on a plain Tyson chicken nugget, and it added a savory level I found exciting. Perhaps meant more for non-fowl dishes, Flavortown’s Carolina BBQ sauce is an interesting choice for a condiment, but if you’re willing to take a chance, it might be worth it. Whereas a lot of BBQ sauces are sweet, this one changes the game, and it might even be a great additive to potato or macaroni salad. This might also be good on potato wedges and, believe it or not, hot dogs.

2. O.G. Buffalo Wing Sauce

Guy Fieri’s Flavortown line wouldn’t be complete without a buffalo sauce, and this one certainly fulfills the brief, it’s just nothing special. That being said, it doesn’t have to be special as long as it adds some flavor to an otherwise bland meal, or complements something.. The main ingredients are pepper sauce and vinegar. It’s a basic combination that’s not unlike other brands of its ilk. The flavor is good and the heat isn’t intense. The top note is definitely vinegar but if you’re familiar with this kind of sauce, you know that’s expected.

This says it’s a wing sauce, but it also might be a great addition to your tacos or burritos, although your favorite glass-bottle hot sauce could be a little better. Fieri’s Buffalo Sauce on plain chicken wings as intended, might be good, or you could be adventurous and splash some in a creamy soup for a pinch of spice.

For what it is, Fieri’s Buffalo sauce is, it’s pretty good. It doesn’t try to reinvent the wheel, so in essence, you get a hot sauce on your shelf with Fieri’s face on it.

1. Famous Donkey Sauce

This is Chef Fieri’s signature restaurant aioli, and now you can have it in your fridge next to the ketchup, too. For all intents and purposes, it belongs there. It’s something to reach for when mayonnaise is too bland. Garlic and Yellow mustard are the key ingredients here, with some Worcestershire sauce to bring out some fishiness.

This famous sauce was born on a cruise ship where Fieri used to work in his younger days. He claimed that passengers who didn’t use it on their hamburgers were “jackasses.” Confused, a co-worker asked what that meant, to which Feiri replied it was another word for donkey. “Oh, so it’s donkey sauce!” the other chef exclaimed. And voila, the name stuck, and now you can buy it at your local grocery store.

With its celebrity culinary roots, the Donkey Sauce is one of Fieri’s masterpieces. It’s a very tasty and versatile recipe that could go with raw ingredients or even be added to a mayonnaise-based cold salad. As an aioli, it’s mild, with a touch of garlic that’s not going to, as Emeril Lagasse used to say, “Kick it up a notch.” But I like that it’s more comfort than culinary, and it’s a nice alternative to using just plain old mayo.

Methodology

I love dipping sauces. I would actually eat a diet consisting of nothing but finger foods if my doctor weren’t such a fuddy-duddy. So when I got a chance to review 14 of them, I was excited.

As stated before, anything creamy or sticky can be used as a dipping sauce, even if the label says “barbecue.” What I did was taste the sauce on its own first, giving my brain time to discern flavors, both top and bottom. And then I used plain Tyson brand chicken nuggets from the air fryer as a protein, helping with texture and temperature.

I factored in originality by using Guy Fieri’s personality as a chef, using it as a touchstone to see how much of that he put into the product.  These are available at your grocery store, and each bottle has a suggested retail price of $4.99, but the cost can vary depending on where you shop.

During the taste test, I found that some sauces had his creative touch while others fell flat, perhaps a novelty with his face on it. Overall, the experience wasn’t disappointing, but I was hoping to get more of that Fieri flair, especially since his signature is on every label.

Jay Kelly’s Viral “Too Much” Energy

The title character of Noah Baumbach’s Jay Kelly is a movie star who looks and acts an awful lot like George Clooney. He’s got the crinkly eyes, the silver-fox coif, the world-weary gravitas embedded in a wolfish grin. Like Clooney, Jay has been acclaimed and, to some extent, accused for simply wringing out variations on the same alpha-male persona, over and over again. When we see a highlight reel of his greatest performances, it includes clips from Ocean’s Eleven, Out of Sight, and The Thin Red Line. Sadly, there’s nothing from Batman & Robin—an omission that’s probably for the best for both Jay Kelly and George Clooney. But it’s also a missed opportunity for a movie determined to blur certain lines between invented and authentic celebrity to score a genuine belly laugh, something to mix up the otherwise steady trickle of knowing, mirthless chuckles.

That reluctance to truly go for broke—to punctuate a pressurized but airless metafictional universe that’s been tailored like an award-ceremony tuxedo to its leading man’s elegant physique and real-life body of work—is emblematic of the movie as a whole. Jay Kelly isn’t bad by any means; Baumbach is, as ever, a clever filmmaker, better than most at dramatizing the tetchiness of artistic types and conjuring up lived-in showbiz textures. The movie ventures behind the scenes of Hollywood movie- and dealmaking with confidence; it joins While We’re Young and The Meyerowitz Stories on the short list of films featuring credible artist retrospectives. The script, by Baumbach and Emily Mortimer, draws on Ingmar Bergman’s Wild Strawberries to dramatize the angst of an aging A-lister whose linear journey from point A (a recently wrapped prestige production in Los Angeles) to point B (a lifetime achievement ceremony in Tuscany) is punctuated by daydreamy flashbacks to his salad days and myriad personal failures.

The references in Jay Kelly to Bergman’s bittersweet classic, and such other iconic portrait-of-the-artist phantasmagorias as and All That Jazz, are scrupulously controlled and intelligent, yoked to Baumbach’s perennial fascination with and aspirational relationship to the canon The problem is that Baumbach’s filmmaking here is so controlled and intelligent—as opposed to the wild swing and a miss of White Noise—that it almost cancels itself out. There’s something machine-tooled about the pathos in Jay Kelly, which unfolds, absorbingly but predictably, as a slick gloss on human mess lubricated by what might be crocodile tears for the anguish of a front-runner who’s too rich and famous for his own—or anybody else’s—good.

It’s a character type that Clooney has played before, and the familiarity of seeing him as a stand-in for a strain of anxious but elegant existential malaise—a vibe he cultivated persuasively in movies like Michael Clayton, Up in the Air, and The Descendants—is surely part of the joke. Such deliberateness doesn’t obviate the fact that the actor is better at outright clowning than sad-sack melancholy; he’s never more dashing or attractive than when playing out-and-out morons (his specialty when working with the Coen brothers) and never more susceptible to vanity than when trying to convey relatable, everyday flaws. Baumbach and Mortimer work to give Jay some serrated edges that Clooney can smooth without fully blunting. We can see the practiced glad-handing, the casual but hardwired entitlement, the narcissism threaded through self-deprecation. What we don’t get—and what’s missing in Clooney’s performance—is an understanding of why his doppelgänger is such a gigantic, world-historical movie star that a trainful of Europeans would be collectively paralyzed by him. Clooney may be high wattage, but he’s not an outlier on the level of Tom Cruise, whose obvious and unsettling enthusiasm for doing the best imitation of himself at all times is exponentially more beguiling; put Cruise in the scene where Jay impulsively chases down a purse snatcher in the Italian countryside, inadvertently going viral in the process, and you’d have something indelible.

Jay’s story line is about coming to terms with his faults and taking accountability for his failures as a father, a process of self-actualization catalyzed by a chance encounter with an old acting school classmate, Tim (Billy Crudup), whose smiles are belied by the ax he’s grinding behind his back. Tim was Jay’s best friend and professional role model, a whiz at using the Method to impress teachers and girls; his lot in life, however, is as a footnote to a heroic narrative, the anonymous young actor who flubbed an important audition, paving the way for Jay to swoop in and get cast in a career-defining, neo-Brando-style role. What begins as an exercise in middle-aged solidarity—slurry, beer-drenched talk about parenting and acceptance and stories from the good old days—devolves, with possibly premeditated precision on Tim’s part, into an actual brawl. Jay’s so shaken by the experience that he opts out of his upcoming and much-anticipated gig working with a pair of indie-chic, Bushwick-based edgelords (fraternal auteurs unseen by us but modeled, seemingly, on the Safdies). Instead, he channels his considerable resources to chase his skeptical, grudgingly affectionate, college-bound teenage daughter, Daisy (Grace Edwards), around Europe for some last-minute face time. Never mind that she hasn’t invited him or that skipping town means rerouting the lives of his support staff—their paychecks are contingent on their willingness to be enablers, and so they go along for the ride.

The idea of a helicopter parent well-moneyed enough to charter a literal helicopter—and a private jet and a fleet of cars—is funny, and so are the inside-baseball observations about executive-class accommodations and personal riders The repetitive, quasi-purgatorial nature of preferred customer service offers fertile ground for satire, and the script gifts the best lines to the longest-suffering members of Jay’s entourage: his manager, Ron (Adam Sandler), and publicist, Liz (Laura Dern), former lovers each now happily partnered with other people, but also mutually turned on and strung out by a vortex of bad vibes spiraling off their client. “He doesn’t love us the way that we love him,” carps Liz, who’s more apt to play bad cop in the pair’s buddy act. Ron, meanwhile, is an inveterate people pleaser whose heart-on-sleeve menschiness is bound up in savvy survival instincts. That he can’t really afford to say no to Jay is one thing; that he also doesn’t particularly want to speaks to a lifetime of good-natured, shit-eating self-effacement in sync with Jay’s almost crystalline sense of neediness.

On this point: It’s a fine line between humanizing a difficult character and letting him off the hook entirely, and while Baumbach has it in him to be an unsparing dramatist—there’s no give in the dysfunctional dynamics of The Squid and the Whale—he doesn’t do enough to make Jay (or us) squirm. The most that the character is really forced to do is wriggle: Time and again, we’re shown how his betrayals of friends and family—starting with the primal scene of his joint audition with Tim—were more situation specific than sinister. There’s a way, perhaps, of seeing this apparent evenhandedness as its own form of insinuation—as Baumbach baiting a trap and obliging us to step into it, in thrall to Clooney’s charm. Sometimes, though, soft is just soft, and too often, Baumbach’s scenes are frictionless—certainly when compared with the bristling, lived-in frustration of Marriage Story, whose best scenes still transcend its unfortunate memeification.

Where Clooney serves as Jay Kelly’s slightly too anodyne frontman, Sandler steps in to supply the movie with a little sliver of soul. Jay is struggling with the long-suppressed but not wholly surprising realization that he’s sort of an asshole and that the people closest to him know it. Ron’s agonies are considerably more interesting: He’s tying himself in knots over what it means to have defined himself for so long by—and profited to the tune of 15 percent from—said asshole, all while being stranded on what is increasingly the interpersonal equivalent of a one-way street. “We did all of this together,” Jay tells him at one point, a compliment that could also be an accusation of complicity. Sandler already gave one of his most adroit performances for Baumbach in The Meyerowitz Stories, disappearing fully into the skin of a failson redeemed—at least in his own eyes—by his love for his daughter; the “Genius Girl” piano duet between Sandler and Grace Van Patten serves as an example of the Sandman’s effortless tenderness and how, when he wants to be, he can be the best working seriocomic actor in American movies. Here, once again sublimating his own magnetism, he contributes such robust, humane supporting work that he virtually completes his costar’s performance for him, an uncanny and winning parallel to Ron’s steadfast, almost spiritual devotion to the idea of his larger-than-life boss.

Indeed, Ron’s reluctance to cut bait long after the other hangers-on have vanished gives Jay Kelly its sturdiest and most affecting through line; their transactional but multifaceted relationship yields feelings in a way that the surrounding cluster of subplots and for-your-consideration monologues simply does not. It’s worth wondering why Sandler basically hijacks Clooney’s star vehicle; the answer goes beyond the relative quality of his acting within the story the movie really wants to tell and the psychology its makers try their best to explore, whether they know it or not. Baumbach bookends Jay Kelly with scenes examining the practical and metaphysical implications of retakes, the excitement and terror of trying to capture a perfect moment and wondering in the process whether it’s already passed. “Can I have another one?” Jay is heard asking twice, in two very different contexts. The emotional payload attached to the second iteration of this query is real. It also suggests, however indirectly, that the movie itself could use a do-over.

Adam Nayman

Adam Nayman is a film critic, teacher, and author based in Toronto; his book ‘The Coen Brothers: This Book Really Ties the Films Together’ is available now from Abrams.

A lake effect snow warning is in place until Monday afternoon in a portion of Pennsylvania, where wind gusts are reaching 45 mph.

On Sunday at 5:17 a.m. a lake effect snow warning was released by the National Weather Service valid from 10 a.m. until Monday 1 p.m. for Warren, McKean and Elk counties.

“Heavy lake effect snow expected. Total snow accumulations between 5 and 8 inches. Winds gusting as high as 45 mph,” explains the weather service. “The blowing and drifting snow will make it a challenge to keep roads cleared.”

“Roads, and especially bridges and overpasses, will likely become slick and hazardous. Visibilities may drop below 1/4 mile due to falling and blowing snow. The strong winds and weight of snow on tree limbs may down power lines and could cause sporadic power outages,” states the weather service. “Persons should consider delaying travel. If travel is necessary, drive with extreme caution. Consider taking a winter storm kit along with you, including such items as tire chains, booster cables, flashlight, shovel, blankets and extra clothing. Also take water, a first aid kit, and anything else that would help you survive in case you become stranded. During lake effect snow, the weather varies from bands of locally heavy snow to dry weather just a few miles away. Visibilities can also vary greatly. Be prepared for rapid changes in weather, visibility, and road conditions.”

In certain regions of Pennsylvania, a lake-effect snow warning is in effect until Monday afternoon. Meteorologists are advising caution due to perilous winter conditions. The National Weather Service predicts that intense lake-effect snow bands will lead to considerable snowfall, low visibility, and rapid deterioration of travel conditions.

Wind gusts could reach 45 mph, increasing the danger of blowing snow and causing treacherous whiteout conditions in some areas. When heavy snow and strong winds occur simultaneously, they can lead to scattered power outages and icy roads.

As the winter weather persists into Monday afternoon, road crews and emergency responders are gearing up for possible disruptions. Officials urge everyone to keep an eye on weather reports and adhere to safety recommendations for the entire time the storm lasts.

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When an interviewer joked about her boyfriend, Jordyn Woods confronted them, leading to an awkward situation.

This week, Jordyn Woods appeared on the Open Thoughts podcast, hosted by comedian and internet personality Funny Marco.

 
Axelle / Getty Images

Marco is known for his awkward, edgy comedy, delivered in a deadpan way.

During the conversation, they talked about Jordyn’s boyfriend, NBA player Karl-Anthony Towns, who she began dating in 2020 after being “best friends” for years.

Karl-Anthony Towns in a stylish tracksuit and Jordyn Woods in a chic, form-fitting dress
Dimitrios Kambouris / Getty Images

She was telling Marco how “chill” they are as a couple when Marco brought up Karl-Anthony’s tendency to apparently change his voice “a lot” — something some people online have even used to question his masculinity. (Here’s an entire video dedicated to his “many voices” if you want to hear it for yourself.)

Karl-Anthony Towns in a tuxedo and Jordyn Woods in a sheer, stylish dress with jeweled accents
Arturo Holmes / Getty Images

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Jordyn replied, “I mean, it depends on the time of day, how he feels when he wakes up.”

Jordyn Woods poses in an elegant lace outfit with a high ponytail and gold hoop earrings on a red carpet
Gilbert Carrasquillo / Getty Images

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Marco then said, “That’s not okay with me.”

Funny Marco wearing glasses and a sweater looks to the side during an event
Paras Griffin / Getty Images

Jordan responded, “What’s not okay with you? You’re here in a hotdog costume.”

Jordyn Woods seated in a leather jacket, participating in an interview setting with dark drapery in the background

Marco, who was really dressed as a hot dog as part of his shtick “to save the hot dog community,” grew quiet as Jordyn once again asked him, “What’s not okay?”

Funny Marco in a hotdog costume, seated against a curtain backdrop

After an awkward pause, he said, “Yeah, not okay for KAT to switch his voice a lot.”

Karl-Anthony Towns and a suited man engaged in conversation on-stage
Bloomberg / Getty Images

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Related: 19 Celebrities Who Were So Disrespectful In Public, It Was Embarrassing

“How are you going to tell someone what voice they should have?” Jordyn asked, clearly bewildered.

Jordyn Woods wearing a strapless, feathered dress and diamond necklace poses against a simple backdrop
Axelle / Getty Images

Marco said he was just a supportive fan, and then Jordyn asked, “Are you a fan?”

Jordyn Woods in an elaborate, ruffled gown with a high collar, stepping out of a car, showcasing striking fashion on a public event's red carpet
Edward Berthelot / Getty Images

Marco tried to prove he was by answering questions about Karl’s career, but things grew awkward again when he suggested Karl was a “ball hog.”

Karl-Anthony Towns jumps high, dunking the ball during a basketball game
David L. Nemec / Getty Images

Jordyn firmly replied, “He’s actually not a ball hog. Have you watched the games?”

Jordyn Woods in a stylish evening gown with unique halter neckline, adorned with earrings, poses at an event, demonstrating a confident expression
Dimitrios Kambouris / Getty Images

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Marco said, “Yeah, he scores a lot of points, and he gets mad.”

Karl Anthony Towns in a leather vest and pants and Jordyn Woods in a jacket with sunglasses, walking outdoors
Christian Vierig / Getty Images

Jordyn, seemingly annoyed, responded, “It’s cause he can shoot.”

Karl-Anthony Towns and Jordyn Woods pose in front of a sign reading "SlipCloud"
Stefanie Keenan / Getty Images

Viewers found the exchange painfully awkward — even by Marco’s standards — and took to social media to weigh in.

One person tweeted, “Love her for this. KAT gets a lot of hate and it’s entirely unwarranted 95% of the time. As always, no actual reasons or arguments either.”

A viral comment with over 20,000 likes read, “She chewed him up with that ‘You’re sitting here in a hot dog costume’ comment. That silence was LOUD.”

Related: Andrew Garfield Had The Most Gracious Response To Jacob Elordi Replacing Him In The Upcoming “Frankenstein” Movie, And It’s A Valuable Lesson

“How do you come back from that?” another said. “She clocked him real bad.”

“his brain went into OT for a response,” someone else wrote.

Another tweeted, “Bro went from comedian to my bad, ma’am REAL quick”

I’ll just leave you with this tweet:

Tweet by user praising Jordyn with 5,410 views and 88 likes, saying, "This is how you step for your MAN, Jordyn is a real one."

You can see the moment here around the 20:00 mark, then LMK your thoughts in the comments!

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Meghan Trainor on Appearance Comments After Weight Loss

Lizzo simply wanted to feel better from head to toe.

“Once I started working out for mental health, to have balanced mental health or endorphins, so that I don’t look at myself in the mirror and feel ashamed of myself, and feel disgusted with myself,” the “Good as Hell” singer explained in a May 2023 TikTok, “exercise has helped me shift my mind, not my body.”

She acknowledged in a January 2025 TikTok that she was on an “intentional weight loss journey,” her goal was simply to be the best version of herself.

“Even at the end of my weight loss journey, I’m not going to be considered thin by any means,” Lizzo said. “I will still be considered morbidly obese on the BMI and little bros on the internet are still going to call me ‘big backed.’ But I will be happy.”

Meghan Trainor, who writes and performs her own songs, is addressing the remarks she’s gotten about how she looks after losing weight. The “All About That Bass” star, recognized for her firm position on body positivity, has consistently urged individuals to accept their bodies as they are. At this point, she is talking about her private experience and how the public response to her appearance changes has impacted her.

Meghan has stated in interviews that people’s remarks—regardless of their nature—can create undue focus on appearance. She aims to remind her followers that true confidence stems from internal well-being rather than fulfilling external expectations. She keeps advocating for self-love in her message, motivating people to honor themselves throughout all phases of life.

A second later, the video jumped to Lizzo exclaiming, “And I am happy,” as she showed off a screen showing her body fat had gone down by 16 percent and she’d shaved 10.5 points from her Body Mass Index (BMI).

“Let this be a reminder that you can do anything—anything—you set your mind to,” she added. “Now I guess it’s time to set new goals.”

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One Piece & Dragon Ball Director Dies at 53

The anime community is mourning the loss of Tatsuya Nagamine, one of the most influential directors behind some of the world’s most beloved series. Known for his dynamic storytelling style and breathtaking action sequences, Nagamine left an indelible mark on modern anime before his passing at the age of 53.

A Visionary in the Anime Industry

Tatsuya Nagamine was widely celebrated for his contributions to major franchises like One Piece and Dragon Ball, two series that have shaped global anime culture for decades. His directorial approach combined cinematic choreography, emotional depth, and a keen understanding of what fans loved most about these worlds.

In a tragic turn of events, Japanese animation director Tatsuya Nagamine has passed away at the age of 53. According to @pewpiece on X, Nagamine passed away this summer, and his memorial service took place on November 13, 2025, at Toei Animation Studios in Oizumi. The main reason behind his death has not been revealed yet.Many anime fans might not know this, but Nagamine was one of the biggest names within the industry, especially for One Piece and Dragon Ball. Many considered him to be the one who single-handedly boosted One Piece’s popularity with the Wano arc.

Tatsuya Nagamine’s Direction Made Wano One of One Piece’s Greatest Arcs

Early Career and Rise to Prominence

Nagamine began his career at Toei Animation, where he quickly rose through the ranks due to his strong visual direction and innovative scene composition. His early work impressed colleagues and audiences alike, paving the way for larger roles in major projects.

Major Works and Contributions

One Piece Film: Z (2012)

One of Nagamine’s most defining achievements, One Piece Film: Z is still regarded as one of the best films in the franchise. His direction brought a darker tone, high-stakes drama, and fluid battle sequences that elevated the movie beyond typical shonen storytelling.

Dragon Ball Super (2015–2018)

Nagamine also played a key role in shaping Dragon Ball Super, bringing fresh energy to the legendary franchise. His episodes featured crisp animation, creative angles, and intense pacing that helped renew global interest in Dragon Ball for a new generation.

One Piece Episode Director & Supervisor

Beyond films, Nagamine directed several important arcs and episodes throughout the One Piece anime. His style was characterized by explosive action, emotional nuance, and impressive visual flair.

Impact on Anime Culture

Nagamine’s work influenced artists, animators, and fans worldwide. His ability to balance humor, action, and heart made him a standout director in an industry full of talent. He brought maturity and cinematic quality to long-running series, proving that shonen anime could be both commercially successful and artistically meaningful.

Tributes From Fans and Colleagues

Following news of his passing, fans, creators, and industry professionals shared heartfelt tributes across social media. Many praised his legacy and expressed gratitude for the countless memories his work created. His influence will live on through the episodes, films, and creative visions he left behind.

A Lasting Legacy

Tatsuya Nagamine’s passing is a profound loss for the anime world, but his legacy endures in every frame he helped bring to life. From the Grand Line to the Tournament of Power, his storytelling shaped generations of fans and transformed two of the biggest anime franchises ever made.

Nagamine’s work will continue to inspire creators and delight viewers for years to come.

Alex Warren: From Social Media Star to Grammy Nominee — Full Story

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Who Is Grammy Nominee Alex Warren?

Early Life & Social Media Beginnings
Alexander Warren Hughes was born on September 18, 2000, in Carlsbad, California. He first gained fame not through music, but on social media: he was a founding member of the TikTok collective Hype House, alongside creators like Addison Rae.  His content often revolved around pranks and vlogs, but he also slipped in covers and hints of his musical ambitions.

Warren has said that his time on TikTok was like his “college experience” — it helped him build independence and self-discovery.

Music Career

From TikTok to Music

Alex began releasing music independently around 2021. In 2022, he signed with Atlantic Records, marking his transition from social media creator to serious artist.

Breakout Success

In 2024, he released his EP You’ll Be Alright, Kid (Chapter 1), which included his breakout single Burning Down.”  His full debut album, You’ll Be Alright, Kid, dropped on July 18, 2025. The project features 21 tracks and includes collaborations such as Bloodline (feat. Jelly Roll) and On My Mind (feat. Rosé of BLACKPINK).

Hit Songs

  • “Ordinary” — This became his signature song. It reached #1 on the Billboard Hot 100 and topped several international charts.

  • “Bloodline” — Featuring country-rapper Jelly Roll, this track further expanded his reach.

  • “Eternity”, “Carry You Home” — Personal, emotive songs that highlight his introspective songwriting.


Grammy Nomination & Awards

  • Alex Warren was nominated for Best New Artist at the 2026 Grammys, reflecting how much his career has taken off.

  • He also won Best New Artist at the 2025 MTV Video Music Awards.


Touring & Live Presence

Warren has taken his music on the road. He’s currently on his “Little Orphan Alex Live” arena tour, which includes dates across Europe, the U.S., and Canada. AOL His live shows are known for their emotional intimacy — often blending heartfelt stories with powerful vocal performances.

Episode Notes

On today’s episode host Kate Lindsay is joined by Yahoo News senior entertainment writer, Kelsey Weekman, to answer the question on everyone’s lips: Who is Alex Warren and why is every store playing his music? The Hype House OG is nominated for Best New Artist at the Grammys, and is part of a growing wave of musicians making “secular praise music.” Where did Alex Warren come from, and how did he pull off a musical career pivot when so many other TikTokkers failed?

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.

Legacy & Future

At just 25, Alex Warren has already made major waves: a Billboard-topping single, a platinum-level presence, and a Grammy nod. If his trajectory continues, he could be one of the defining voices of his generation — an artist who turned internet virality into lasting musical impact.

ABC Secret Savings: Your Guide to Affordable Holiday Glam

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